对《飘》中斯佳丽的人物性格分析(6)

《飘》是美国现代女作家玛格丽特.米歇尔于1936年发表的一部长篇通俗小说,也是其一生唯一的一部长篇小说,《飘》问世70多年来,被广泛流传并受到广泛的好评,不失为一部旷世经典之作。然而《飘》所走过的路程却并不是一帆风顺的,在许多批评家看来,《飘》不能被称为一部优雅的艺术之作,甚至不能进入美国文学的神圣殿堂。小说的女主人公斯佳丽被他们描绘成一个极度自私、爱慕虚荣、冷酷无情、为达目的不择手段的女性。但是,经过

Abstract

Gone with the Wind, written by Margaret Mitchell has been one of the bestsellers and popular with the reader ever since its publication in 1936. It is her first and only long novel. In 70 years since 1936, the novel was wide spread and well received. It was considered as a very classic work. But many opponents do not agree with that. In their eyes the novel will never have the chance to enter the scared palace of American literature and Scarlett O Hara the protagonist in the novel is an extremely selfish, vain, and merciless woman who will not hesitate to resort to any means in order to reach her ends. But as time passed, the novel spread more and more widely, sweeps the world and has aroused interest of a large number of fascinated viewers. And the readers more and more favored the heroine Scarlett.

The body is made up of four chapters. Chapter One gives a brief introduction of Margaret Mitchell s life, the traditional Southern Womanhood and the feminist. Margaret Mitchell is a woman writer. She has strong feminism. We can get it from the novel, especially from Scarlett. Chapter Two to Chapter Four described the life of Scarlett before war, in the war and after war. These three chapters analyze how Scarlett completes her transformation from 16 years old girl deeply influenced by traditional Southern Womanhood to a serious-minded and far-sighted woman. and compared Sarlett with Melanie，they are quite different girls, and those differences make their life very different, any way, attitude is everything. The novel named Gone with the Wind. And Melanie is the wind; she is traditional, graceful and tolerant. The old South has gone with the wind, and so Melanie. Scarlett was not, she is new, and she is decisive and firm. She is quite an opponent of the old South. New American comes, and so Scarlett.

The conclusion summarizes the whole thesis and reiterates the main viewpoint: her transformations connected closely with her three stages of life. She is increasingly maturing and in the end becomes a new Southern woman with strong feminism leanings. When we faced with difficulties we will call the memories of Scarlett and her words to the world “Tomorrow is another day”!

Key words: Gone with the Wind, War, Feminist leaning, Contrast

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